Memorial Day: Remembering Rhode Island’s Early Veterans

30 May 2012

In the process of helping to create a year of programming based on “Rhode Island at War,” and as a member of a re-enacted Revolutionary War regiment, I hear and think a fair amount about the need not to glorify or romanticize war. I don’t always hear a counter point about remembering what war means, and still less about remembering the men who served. “We’re not glorifying war, are we?” someone asks, and feels they’ve done their duty.

That’s not enough, not really. What about remembering the effects of war, beyond treaties made and boundaries changed, the effects of fighting a war on the men who serve? An organization I belong to, the Brigade of the American Revolution, is dedicated to recreating the life and times of the common soldier of the American War for Independence, 1775-1783. I mention this because what I think is most important is the adjective common. Officers get fancier uniforms and better food, larger tents and nicer equipment. There were also far fewer of them. We have more diaries and letters from officers, more personal effects and portraits. What we do have for the common soldiers, aside from the amazing and idiosyncratic journal kept by Jeremiah Greenman of the 2nd RI, are records.

In considering the men who served, and what happened to them, we are fortunate to have, in the transcribed Records of the State of Rhode Island and Providence Plantations, a “list of Invalids resident in the State of Rhode Island, who have been disabled in the service of the United States during the late war, and are in consequence thereof entitled to received a monthly pension during life.”  This list was assembled after the Congressional act passed June 7, 1785 establishing pensions for wounded veterans.

The list includes the soldiers’ names, monthly pay, age, rank, and Regiment (or Corp or Ship) in which they served, as well as the disability and its causes. The range is moving, and all the more so because the injuries often make real the simple facts we absorb as early as grade school: Washington’s soldiers had no shoes. Here is Joseph A. Richards, Corporal, age 37 in 1785, who served with the Rhode Island Regiment commanded by Jeremiah Olney. “Loss of part of all the toes on the left foot, by reason of severe frost when on the Oswego expedition, commanded by Col. Willet, in Feb., 1783; also a wound in the knee in the battle of Springfield, June 23, 1780.”

Richards is not the only man to have suffered from frost on the Oswego expedition. Oswego! I had to look at a map; the last time I’d heard Oswego named was in Room Service. Oswego, as geographically-savvy readers will know, is a port city on Lake Ontario, home to a fort held by the British throughout the revolution, despite being challenged by the Americans. Let us take a moment to consider how far from Rhode Island Oswego, New York actually is (about 330 miles), and that Corporal Richards would have walked there, and that the action in Oswego took place in January and February 1783, and that Oswego is in a region well-known for snow fall.

Other disabilities call to mind the shabby condition and privations of Continental Soldiers. Benvil Laroach, born in 1746, Sergeant in Olney’s Regiment, lost the use of his left arm “by reason of a fall from a sleigh when on public service, after clothing for troops, from Saratoga to New Winsor, in January 1783.” Washington’s soldiers were dressed in rags. January of 1783 is very nearly the end of the war, and this disability resulted from a fall while going out to get clothing for the troops. This is dull business, but very necessary.

These are but two examples of young men, men who would have been just 30, or thereabouts, when they enlisted. There are older men, too, and we forget that men of all ages served. An excellent additional resource is the Regimental Book, Rhode Island Regiment, 1781 Etc. recently published by Bruce MacGunnigle, Cherry Bamberg, and the R.I. Society of the Sons of the American Revolution.

William Parker, age 69 in 1785, Private in Olney’s Regiment: “A very bad rupture in the groin, occasioned by a fall, when on a march from Red Bank to Mount Holly, in November, 1777, together with the infirmities of old age, which renders him incapable of obtaining a livelihood.”  1777 is the year of the Defense of the Delaware, when Washington’s army tried desperately, and ultimately failed, to keep Philadelphia from falling to the British. The march from Red Bank to Mount Holly was a retreat following battles at Red Bank and Fort Mifflin on the Delaware River, when the army headed to winter quarters. The following summer, at the excruciating Battle of Monmouth, George Bradford, serving under Colonel Israel Angell, received the wound that caused his disability: “A lame arm, occasioned by a wound received in the battle of Monmouth, June 28, 1778, which fractured the bone and renders the arm weak, and the wound has several times broken out, per certificate from Dr. Mason.” Bradford would have been about 21 when wounded.

When I think about opening an exhibit on June 28, the 234th anniversary of the Battle of Monmouth, and celebrating the opening with cake and punch, I have a sense of unease. How can we celebrate such a miserable anniversary, of a lengthy and confusing battle fought in heat that reached over 100 degrees Fahrenheit, a battle that got Major General Charles Lee a court martial, and resulted British official losses of 65 killed, 59 dead of “fatigue”, 170 wounded and 64 missing, and American losses of 69 killed, 161 wounded and 132 missing (37 of whom were found to have died of heat-stroke).

Bradford was but one of 161 wounded, out of an estimated 11,000 American soldiers.  Losses were fewer than in a comparable Civil War battle because of the inaccuracy of smooth-bore muskets in the Revolutionary War period. That the men lost were a smaller percentage of the whole force makes them no less important, or meaningful, than any other loss or casualty in battle. To die of heat stroke in battle is still to die in battle; to suffer for the rest of your life from a wound received while collecting clothing for troops is still to be wounded and disabled. Let us take a moment to remember all the soldiers present and past, their sacrifices great and small, and thank them for all they have done for those of us lucky enough to remain in the comforts of home.

~Kirsten Hammerstrom, Director of Collections


Crazy Corsets

23 March 2012

Technically, it’s not a corset. The garment driving me mad is a set of stays patterned from an original in the Connecticut Historical Society  (CHS 1963.42.4). I’ve re-measured and re-cut the front panels twice, the cups three times and even the back once, because it showed under the test bodice. I’ve given up, and will start over with a different kind of stay.

Women in the 18th century usually bought their stays from a professional stay maker, just as most women today do not make their own bras. But like a well-fitted bra, a set of well-fitted stays is integral to achieving proper garment fit. This is real infrastructure.

Well-fitted in the 18th century really did mean well-fitted, for high-fashion and middling garments alike. To the left,  Betsey Jenkins, painted in 1748 (1905.6.2). The slim, conical shape of her torso and her incredibly erect posture are thanks to her stays. The fit of the bodice of her gown depends on the stays: these truly are foundation garments. Without the stays, the gown wouldn’t fit.

This portrait of Eleanor Cozzens Feke (1947.4.2), painted in 1750-51 by her husband, Newport painter Robert Feke, is one of my favorite paintings in the RIHS collection. The wide robings on the front of her silvery satin gown and the shadowy back in the image make it slightly tricky to see, but she’s wearing a well-fitted gown over stays, again, that give her the straight-backed posture typical of 18th century women’s portraits. Even women who look like they’re not wearing stays probably are. John Smibert painted Mrs. Browne in 1734, (1891.2.2), and her pose suggests she’s in stays.  The articulation of her breasts suggests she may not be, but the drape of the silk around her side hints that she is. There’s a conical shape under that drapery.

Contrary to some beliefs, the fully boned stays of the 18th century are comfortable.  The ones I have feel comforting in the same way swaddling might be for an infant. Bending and squatting and sitting the ground are all challenging. I’ve sat on the grass in stays and gown and provided plenty of entertainment for a regiment when I made my way up off the ground (not that they helped me).

But in getting ready to clean the John Brown House Museum, I decided I needed a new set of stays. At the short gown workshop at the ALHFAM  conference in Bristol in early March, someone asked if I really did, and perhaps I don’t. But I’d like the early 19th century gown I’m making, and the short gown I’ve made, to fit properly, and they simply won’t without the correct foundation.

Julia Treadwell Pinckney (1984.8.1) was painted (1797-1845) around 1817, but the gown she’s wearing is of a style that lasted decades, so the high waist and long slender skirt are typical of the styles that would have been worn in Providence around 1800. The silhouette, even in this half-length portrait, is visibly different—radically different—from the silhouette of the mid- to late-18th century. We interpret the John Brown House to about 1790-1810, and we know that John Brown’s daughters followed the fashions of the times: servants, maids, “help,” would not have. We have no evidence of what John Brown’s servants or slaves or maids wore,  but I would expect that in a port town like Providence, fashions would not have lagged twenty years behind, even for working women. St. Louis, far from the east but in communication with New Orleans, showed fashionably dressed Creole women in 1818MHS 1953.158.0037

Based on these images, I believe that I would most likely not have worn my ca. 1770 stays in 1800 or 1810, if I could have avoided it. And by the means of used clothing merchants, employment, or my own skills, I would have acquired the new, softer, stays that created the raised bust silhouette. And today, with my own skills, I’m trying to do just that.

~Kirsten Hammerstrom, Director of Collections


A Day of Experimental Archaeology

16 March 2012

Eighteenth and 21st centuries meet at the John Brown House Museum when RIHS Director of Collections Kirsten Hammerstrom and Registrar Dana Signe Munroe get the museum ready for spring in the 18th century manner. Dressed in period-appropriate clothing, we will discover what it takes to make the John Brown House ready for spring. With buckets, cloths, and brooms, we will start with the formal parlor and demonstrate for visitors domestic work described in Hannah Glass’s “The Servants Directory, Improved, or, House-Keepers Companion,” published in 1762 and Susannah Whatman’s Housekeeping Book (1776-1800).

20120313-193805.jpgTo prepare for this day’s event, in addition to researching historic housekeeping methods and the Brown family servants, we have been hand-sewing clothing suitable for servants in the 1795-1803 period. Although we do not know exactly who worked for the Browns at the cusp of the 19th century, we do know that they, like other wealthy Rhode Island families, employed servants and owned slaves. In this program, we will not interpret specific servants, but instead explore the work and methods that servants or slaves would have used, wearing clothing typical of the period.

The house may seem insurmountably large, a vast Sahara of dust and dirt, to a woman wearing jeans and equipped with a vacuum cleaner. Taking on spring cleaning in late 18th century stays and long dress and petticoat, knowing that we will climb ladders (fortunately modern) to reach woodwork, will be daunting. But the experience will provide us with first-hand knowledge of what a day was like for a house maid who followed Hannah Glass’s exhortation to “Be up very early in a morning, as indeed you are first wanted; lace on your stays, and pin your things very tight about you, or you never can do work well. Be sure always to have very clean feet, that you may not dirty your rooms, and learn to walk softly, that you may not disturb the family.”

The methods outlined in these period books are surprisingly similar to today’s conservation cleaning methods outlined in the Manual of Housekeeping published in by the National Trust of Britain in 2006. Fortunately, recently completed construction has provided us with a house full of dust ready for cleaning. Join us on Saturday, April 21, from 10 to 4:00. The program is free with the regular house tours at 10:30, 12:00, 1:30 and 3:00.

Follow dress making progress and research updates, as well as a report of the day’s findings, here on the blog using the housecleaning tag.

~Kirsten Hammerstrom, Director of Collections


Bag A Squirrel

9 March 2012

Squirrel for 2012Here at the RIHS, we’re working on a year of interpretive programming built around the theme “Rhode Island at War,” selected in part because this year is the bicentennial of the War of 1812, and a sesquicentennial of a Civil War year.

In recognition of this theme, we have updated our popular Squirrel Book Bag, and accoutered him with canteen, shoes, hat and musket appropriate for service with a Continental Regiment. The squirrel himself is drawn from the carved squirrel that perches atop a pedestal above the chimney breast in the Southwest Parlor of the John Brown House Museum (the room with squirrels in the wall paper).

Perhaps the squirrel a little cheeky, and yes, we are nuts about history, but the theme is serious, and we’re looking forward to lectures, panel discussions, exhibitions, and other exciting programs that examine Rhode Island’s experience in war, and of war, from many perspectives.

Bags are $8 at the RIHS Library and at the John Brown House Museum. All proceeds will benefit the collections and programs of the RIHS. A very limited number of the original, Reading Squirrel bag are still available, but call  (401) 273-8107 x 12 to confirm availability.

~Kirsten Hammerstrom, Director of Collections


The Third Dimension

19 May 2010

The visual splendor of James Cameron’s Avatar might seem to occupy the cutting edge of entertainment, but in fact 3D has a long history.  And on June 19th, you can get a taste of the early days of that history at an exciting event: The Third Dimension: Rhode Island in 3-D.

From 7:00 p.m. to 9:30 p.m. at the Aldrich House at 110 Benevolent Street, you can view stereoview images of Rhode Island—from black-and-white images taken in the 1890s to dramatic views of the 1955 Blackstone River flood—as few ever have the chance to see them: on the big screen in all their glory (3D glasses provided). Narration of the events will be provided by local historian Ned Connors.

Not only is this a chance to see a rare visual performance, it’s also a chance to help the Historical Society preserve Rhode Island’s heritage. All proceeds from the event will support our Graphics Inventory Project, an ongoing effort to catalog materials like photographs and stereoviews and make them available for use.  You can find out more about the project at its new blog.

Tickets are $75 and seating is limited. To reserve your seat please contact Natasha Brooks at the RIHS Library, by phone (401) 273-8107 x12, by email programs@rihs.org, or in person at the RIHS Library at 121 Hope Street, Providence, RI 02906.

You can get a sense of the stereoview effect with these Animated Stereoviews of Old Japan.


July 4 Walking Tour of Fox Point

16 June 2009

A Fox Point Fourth of July

On July 4th, the scheduled 11:00 a.m. walking tour will be a patriotic stroll through the Fox Point neighborhood. Come celebrate the life and works of Providence native George M. Cohan, the original Yankee Doodle Dandy. He was born in one of the oldest and most diverse neighborhoods in Providence, and is associated by his birth and patriotic songs with the Fourth of July. Learn about the ever-changing character of Fox Point, from its first colonial settlements through the waves of Irish, then Portuguese and Cape Verdean immigration, to the impacts of urban and highway development today. The tour begins at the George M. Cohan Plaza in Providence. Reservations are requested. $10 per person.

Saturday, July 4, 11:00 a.m.
Tour departs from:
Reflections Café
8 Governor Street, Providence
Tickets: $10 each
To RSVP: Dalila Goulart
(401) 331-8575 x45 or programs@rihs.org


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